Imagining Musical Pasts[Note: This blog post began life quite a few years ago as a proposed and accepted abstract for a talk at the International Summit on Gender, Sexuality, and Equity in Grove Music Online, which was to be held at the University of Guelph in spring of 2020 and which was sadly canceled due to the […]
Most of my writing so far on this website (and elsewhere) has dealt with questions of how musicology has been written in different times and places and with different audiences in mind. A large part of my argument for thinking about musical scholarship as a form of literature revolves around considering how we read different […]